Chris Field Preview Music
Do you like the music you hear during movie previews? Normally, you wouldn't hear more than 30 seconds of it at a time, given that is the standard time frame of a television movie preview. Chris Field preview music differs from a cinematic score, in the fact that it is less ambient and more aggressive. Preview music must establish a theme early in its composition, given its limited time frame.
It's not easy to successfully execute the flowing orchestration and arrangements that are present in film trailers. Chris Field preview music is known for its ability to immediately make an impact on the video it accompanies. Movie previews are collections of quickly cut edits from the film, and so the music that is played to these edits must match its frenzied pace. Chris Field preview music has been the musical background for movies like "Harry Potter" and "Gangs of New York."
Chris has just released an album, titled "Sub-Conscious." It's fitting title, given the mentally mysterious and challenging nature of the music. Sub-Conscious is largely instrumental, although there is a heavy use of ethereal background vocals throughout. His melodies are central in the themes of the tracks, but they do not take away from surprising and introspective chord arrangements.
His music shares a lineage with a number of genres, from classical and cinematic scores to new-age and ambient sound. For this reason, Chris Field music is difficult to categorize. His arrangements are lush and full orchestrations, and many of the tracks like "Blue" and "Ave Maria" are poignant pieces which have a tendency to seduce the listener. It's obvious that one of Chris' main pursuits is beauty, and his gorgeous melodies are self-evident on tracks like "Floating" and "Mother." All in all, Sub-Conscious is a knockout -- a tour de force of avant-garde and cinematic music.